Friday, December 11th from 6pm – 9pm
Saturday, December 12th from 11am – 3pm

If you are unable to attend, please contact us at 808-463-6550 or email info@proartsmaui.org

Before arriving, please complete this Audition Form and email your headshot and resume to madeline@proartsmaui.org or ask for a link to upload them, if you have these materials available.

• Sections of 2 classic musical theatre songs
• 45-60 seconds of one ballad
• 45-60 seconds of one upbeat song
• Sheet music is strongly encouraged. If you are unable to print sheet music, you can email us a PDF or a link.
• You may be asked to read from the script with an attendant (Particularly those reading for the Man in the Chair, and Robert and Janet)

If you are unable to attend, you may send in a video; please email to madeline@proartsmaui.org

Please note that the gender descriptions apply to the characters, not the actors:

• Man In Chair – Lives alone and has trouble paying his electricity bills on time. Obsessed with musicals. Must have excellent comedic timing and mannerisms. • Age: 30­ to 60 • Non­-singing
• Janet Van de Graaff – Star of Feldzieg’s Follies who is conflicted about giving up her life on the stage to marry Robert Martin. Vivacious, outgoing personality. She loves being the center of attention and is the consummate 1920s starlet. Strong movement and special skills (acrobatics, juggling, etc.) a plus. • Age: 20­ to 30 • Alto with big belt (G3­ to E5)
• Robert Martin – The groom­-to-­be who is deeply in love with Janet. He is the token 1920s leading man – debonair, dashing, and a matinee idol. He is cheesy, cheerful, and optimistic. Must be able to tap dance and roller skate. • Age: 25 to ­35 • Tenor (C3 to Ab4)
• Mr. Feldzieg – Harried producer who will do anything to stop the wedding in order to keep Janet in the Follies. He is nervous, sarcastic, impatient, overbearing, and insensitive. • Age: 40­ to 50 • Baritone (Db3­ to Db4)
• The Drowsy Chaperone – Janet’s alcoholic confidante. Carefree, often because she is drunk. An experienced “woman of the world” who couldn’t care less what the world thinks. A melodramatic diva to be reckoned with who gleefully chews the scenery and steals just about every scene she is in. Great comedic role. Think Liza Minnelli meets Tallulah Bankhead. • Age: 40­ to 50 • Alto with strong belt (F3­ to D5)
• Aldolpho – A womanizing cad who is very impressed with himself. He is confident, vigorous, and a buffoon. Vaudeville­style acting and fake Spanish or Italian accent required. Should have great comic timing. • Age: 30 to ­40 • Bass/Baritone + great falsetto (A#2 to ­G4)
• Mrs. Tottendale – A wealthy widow and host of the wedding. She is flighty, eccentric, oftentimes forgetful, and funny. She is absolutely charming, bubbly and oblivious to the confusion her behaviour generates in other people. • Age: 45 to ­60 • Alto character voice (G3­ to Db5)
• Kitty – 1920s dumb blonde chorus girl. She is Mr. Feldzieg’s companion and will do anything to be a leading lady. • Age: 20 to ­30 • Soprano comedic belt (Bb3 to ­F5)
• George – Robert’s anxious best man. He is loyal, sincere, and nervous. Makes looking out for Robert’s interests his top priority so that the wedding will come off without a hitch. Must be able to tap. • Age: 25 to ­35 • Tenor (F3 to ­Bb4)
• Gangster 1 – Jovial gangster who is posing as a pastry chef. Typical 1920s Broadway gangster full of word play and stylized movements. Good comic timing and dancing skills required. • Age: 25­ to 40 • Tenor (Db3­ to Gb4)
• Gangster 2 – Jovial gangster who is posing as a pastry chef. Typical 1920s Broadway gangster full of word play and stylized movements. Good comic timing and dancing skills required. • Age: 25­ to 40 • Tenor (Db3 to ­Gb4)
• Trix The Aviatrix – The brave and brash female aviator. She is sassy, sleek and a take charge kind of gal. • Age: 25 to ­35 • Alto (Ab3­ to Eb5)
• Swings – Two strong, dancing/singing ensemble members who will swing in to cover leads, if needed. Any voice part.

• Sunday, December 13th from 5:30pm – 8:30pm
• For callbacks, actors will need to prepare assigned measures to sing live at callbacks. List of songs and measures will be provided ahead of the call-back.
• Comfortable clothing that you can dance in. If you have jazz, character, and/or tap shoes, please bring them.
• You may be asked to read sides from the play individually alongside a reader or with other actors. Scenes will be provided ahead of the call-back. Please be familiar with these scenes, but they do not have to be fully memorized.